In the Blogosphere: 3/14-3/25

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m making one of my resolutions to be better with these blogosphere posts.  *Well, I’m trying, but I’ve been reallllllly busy!* I’ve saved a lot of great stuff, though, and it’s all definitely worth a read.


Are you in query hell right now? Author Shawn Klomparens offers five easy steps to writing a query letter in this guest post on Writer Unboxed.

If you need more help in snagging an agent, check out Trans/plant/portation’s thoughts on the subject: maybe break some rules.

Okay, so what if that’s not the problem—what if you’re just Procrastination Patty (or Paul) these days? Here, Christine MacDonald gives six tips on getting back on track—applicable to any field, really.

So, now that you’ve signed with an agent and an editor snapped up your book in a major deal, it’s time to start planning your release party. W00t! Here’s author Jody Hedlund’s advice.

Pepper . . . I mean, Procrastination Patty. "Let's go shopping for flip-flops!"


We hear it all the time, but it’s important enough to revisit—all the time.  Here,’s Mary Kole talks about specificity in setting.

And what’s a great setting without great characters?’s Jamie Harrington says compelling characters come from what you, the author, know.

If you’re feeling a little sketchville on how to get to know your characters, fear not. The awesomesauce ladies of Adventures in Children’s Publishing have laid it all out for you in terms of Goal, Motivation, Conflict, and Tension.


If you feel a case of writer-brain coming on, author Julie Ann Lindsey suggests you get a critique partner.  Lord knows mine have saved my sanity life on more than one occasion!

But how do you go about being a GOOD crit partner or beta reader?  YA Highway to the rescue!*

*Not just applicable to YA writers.


TONS of my writing friends are passing their time and trying to increase their platforms by submitting short stories to anthologies.  But where does one go to find such markets? On Nick Daws‘ Writing Blog (Bob Loblaw’s Law Blog?), Nick himself lists seven of the top resources for that very purpose. Thanks, Nick!

This was originally intended for NaNoWriMo, back in November. However, as many writing friends seem to be getting over their winter freeze and jumping into new projects, here’s Write Anything’s Andrea Allison with ten Web sites to aid you through the plotting and planning process.


Say it isn’t so!

Dude, these guys are so smart. Here’s Hank Green on lexical gaps—and the opposite of virginity.

Agree?  Here is American Book Reviews’ take on the 100 best first lines from novels.

Happy Friday, my loves!

Any good plans?

In the Blogosphere: 11/15-11/19

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to the summer (oh noes!)—but they are all still worth a look.  I’m getting there!


At, über fantastic Andrea Brown agent Mary Kole talks about “prime real estate”—and the three places she considers that to be in your manuscript.  Um—sold!

Here, Kole says, if your characters shoot glances, you should be shot!*

In her guest post on Writer Unboxed, the ZOMG-awesome Laura Espinosa (a Write-Brainiac!) tells how getting in touch with your inner actor can help you iron out those pesky, hard-to-write scenes.


This question has come up with some international Write-Brained Network folks—yes, we are global, people!!  Here, Mary Kole (yes, again—she’s on fire!!) discusses how to handle your manuscript if you are an international writer and/or writing international settings.

Paranormalcy author, the adorable Kiersten White answers reader questions and dishes on how/when to query as well as how to make blog follower friends.


Here, the now-former agent extraordinaire, author Nathan Bransford, debunks the top 10 myths about the future of e-publishing.

In the yeeeeeeear two thousaaaaaaaaaaaaand!


Many folks have tackled this subject, but here is the Suzie-Townsend-repped Kristin Miller of YA Highway’s take on how to revise and resubmit.

Here, on See Heather Write, Heather Trese outlines some of her incredible takeaways from a session on revising with Gennifer Choldenko. (Really really faboo post!)

The fabulous duo at Adventures in Children’s Publishing (Martina Boone and Marissa Graff) details the seven basic plot types in this equally as fabulous post.  Where does yours fit?

If you’re looking for some awesome Web resources for writers, the good folks of have compiled 50 of the best in terms of reference; fiction, nonfiction, and freelance writng; and writing in general.


Here, author Jody Hedlund suggests how to attract readers to your bloggity blog. (<—Well, she doesn’t actually call it that!)

In her guest post over at Writer Unboxed, Writer’s Digest and the University of Cincinnati’s own Jane Friedman says specificity sets apart the professionals from the amateurs.

Over at the Huffington Post , Denise Brodey gives a five-point plan on how to sell books. Having a Twitter account won’t do it alone.


Write Anything’s Annie Evett did a neat little four-part series on dialogue.  Check it out: part one, part two, part three, & part four.

Over at Inky Fresh Press, the OMGiDONTknowWHATi’dDOwithoutHER Write-Brainiac Bridgid Gallagher offers five tips on how to improve that elusive thing everyone wants to grab hold of: voice.

On her blog, freelancer and YA writer Heather Trese does it again, relaying valuable info she learned about voice during a workshop with Rachel Vail.


Here, the inimitable T.H. Mafi (Tahereh), delivers the best writerly pep talk evarrr.  Bookmark it, folks.  Fo’ realz.

Feeling a little bipolar about your manuscript?  Jody Hedlund says that’s normal, and she offers suggestions on how to deal.


At Querypolitan, the fabulous Kate Hart *just may* be on to something: Edward Cullen and Vanilla Ice—one and the same?


Please check out my new Web site.🙂

Happy weekend!!!

*OK—she doesn’t quite put it *that* way!

In the Blogosphere: 10/18-11/12

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have tons of links saved, dating all the way back to the summer (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?


Here, author and D4EO literary agent Mandy Hubbard gives some spillage on some holes in the market as well as subgenres all editors want (hint: middle grade!).

Writer’s Relief talks lit agents—and how to find the best one for you.

Other than announcing he’s leaving the agenting world (!), Nathan Bransford has more bad news: the rejection letter of the future will be silence.

Here, FinePrint Literary’s Suzie Townsend chats about the waiting game.

We all know it’s important to build platform, but do unpubbed writers need to blog? Andrea Brown agent Mary Kole of weighs in.


Over on her blog, YA author Michelle Hodkin gives an ironic example of what your first pages should look like.* (Hint: if this is what your first pages actually look like, get that delete button ready!) *She also gives links to fabulous resources for fixing up those first pages.

Thinking of planning a trilogy?  Please don’t get started until you read this post by YA author (and my pal—hee!) Jodi Meadows.

Over at the Guide to Literary Agents blog, Chuck Sambuchino shares five screenwriting tips [from Neil Landau and Matt Frederick‘s 101 Things I Learned in Film School] *all* writers can use.


Ever wonder what full-time writers do all day?  Over at Writing it Out, Across the Universe author Beth Revis live-blogged a day in her busy writer life.

While we’re living vicariously through others, middle-grade author Stephanie Blake shares how she got plucked from the slush pile over at Adventures in Children’s Publishing.


As you know, I’m a huge enthusiast of writers’ conferences.  Well, so is the University of Cincinnati and Writer’s Digest’s Jane FriedmanHere, she talks about the benefits of attending these functions.

Having trouble formatting your synopsis? Here’s a checklist of the essentials, from WD.

Going along with that, Write Anything’s Annie Evett talks about the importance of building a writer portfolio—how to, what to include, etc.

Worried you’ll lose your blog content? Guest blogger Peta Jenneth Andersen explains how, over at Guide to Literary Agents blog.


Over at Self Editing Blog, author John Robert Marlow talks about jumping the gun.


You may be participating in this writing marathon, but you can still be healthy about it. Write Anything’s Annie Evett tells us how.

Here, YA author of awesome Maureen Johnson answers a slew of NaNo questions.

Here are some NaNo DOs and DON’Ts, courtesy of TerribleMinds.

And over at Write Anything, Andrea Allison offers some Web site aids to help you stick with it.


I heart Meg CabotHere’s an interview L.A. Times’s Carolyn Kellogg of Jacket Copy did with the author extraordinaire this summer.

Um, coolest thing ever?  Make your Twitter feed into a daily newspaper!

In the Blogosphere: 8/23-9/3

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to June (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

I decided to do something a little different today.  I give you: FROM IDEA TO AGENTED IN 15 POSTS


Before you can get that agent, that book deal, you must first—you know—write the thing.  And before you can do that, you want to make sure you’ve done everything in your power to make every detail as perfect for your story, your project, as you possibly can—from concept to execution.

And your characters’ names are no exception.  These take just as much care and thought as anything else in this process because they give readers certain connotations right away.

Do you think Stephenie Meyer chose “Bella Swan” by accident?  What if she had been Bella Swanson instead?  Katie Swan?  Bella Bwonton?  (<—Bwonton, incidentally, was the name I used for characters all the time when I was in grade school.  I have no idea where I got it or why, but it could have had something to do with my love for wonton soup . . . ).

What about Gretchen Bwonton?  Would the series have been as successful?  (Yes, because someone along the way would have made her change the name.)

Writer’s Digest to the rescue! (Thanks, guys!Here, Devyani Borade talks about this very thing and gives some great advice on how to pick the perfect names for your characters.


Once you’ve figured that out, you want to make sure your manuscript is filled with memorable scenes.  Why have memorable characters in blah scenes?

Have no fear—Martina Boone of Adventures in Children’s Publishing is here to help!


When your MS is looking fantawesome, you’ll want to tackle the next annoying hurdle—the synopsis.

Here, the Michelle-Andelman-repped Kate Hart uses Disney movies to help you boil down your book and make it less daunting.

Now that you have that pesky stuff out of the way, whom will you query?  The Michelle-Wolfson-repped Tawna Feske suggests stalking people (and it’s OK, she says, because all writers are stalkers🙂 ) in order to find your dream agent.

Once you’ve found him or her, tailored your query, and you’re about to e-mail it . . . you’ll want to clean up that formatting so your message doesn’t get all wonky from cutting and pasting.  Here, WD’s Chuck Sambuchino hands you a broom.

Once your first—and second—and third—form rejection rolls in, you might start screaming,“Why? Why?? Why can’t I get some detailed feedback???” Curtis Brown Ltd.’s Nathan Bransford tells you.

And once your skin is a bit thicker, Writer, Rejected suggests you make it a game.  This will probably save your sanity.


At some point, you’ll have enough of the game, and doubt will undoubtedly (<—see what I did there?) creep in.

kt literary’s Kate Schafer Testerman offers some tips on what to do when you fail.

Likewise, D4EO Literary’s Mandy Hubbard helps you decide when to give up (or not to).


Perhaps all you need is some betas to give you some feedback, which can help you give the editing one more go . . . because perhaps you rushed the whole querying thing.

But what is a critquer’s responsibility?  Award-winning writer Jason A. Myers is here to tell you . . .

. . . and up-and-coming YA author Maurissa Guibord gives a “F.R.E.S.H.” perspective on the subject as well in her guest blog on Adventures in Children’s Publishing.

Once you’ve figured that out, Paulo Campos of yingleyangle suggests 20 questions you should ask your betas.


While you wait for agents to recognize your genius, you blog.  A little platform building can’t hurt, right?

But then you wonder how to increase your readership, so you start reading other writing blogs—whoa!  There are other writing blogs?—and you start to wonder if people think you’re a blogging snob.

So Jody Hedlund helps you decide.

And you realize she’s right when Pat Flynn of Daily Blog Tips gives you five reasons you should respond to all your blog comments.


And then someone likes you!  They really like you! An agent offers representation!  And then another! And then . . . what do you do??

Here’s Andrea Brown’s Mary Kole on getting offers from multiple agents.

It’s all just that easy, right?😉

Have a nice weekend, everyone—and I hope you’ll check out The Write-Brained Network!

In the Blogosphere: 8/16-8/20

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to May/June-ish (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?


Story openers is a topic we’ve touched on before, here on the blog (here’s the post from our Shenandoah Writers Online live chat on that very subject), but let’s see what other have had to say about it.

Here, D4EO Literary’s Mandy Hubbard dishes on the five things she looks for in the opening pages.

Over at his blog, Constant Revision, the inimitable Simon C. Larter explains the methods behind the madness in his very own opening lines.

And, for a little bit of fun, YALSA (Young Adult Library Services Association) lists a ton of first lines—so you can see a lot of these tips in action.


Think you’re ready to query or pitch?  Here’s a comprehensive pre-submission checklist from Martina Boone and Marissa Graff’s brainchild, Adventures in Children’s Publishing.  (<—post not *just* for kids’ lit, BTW)

As you go to write (or tweak) your pitch, check out Anne Brown’s four steps to battling the query in her guest post at Writer Unboxed.

And, why stress over the query?  WordServe Literary’s Rachelle Gardner divulges all the secrets to a great pitch right here!


As kids and teacher-types go back to school, and as the summer comes to a close (can you believe it’s almost the end of August??), it’s time to start thinking about that evil time management thing again.

Here’s some advice on how to juggle it all from time management master and über-awesome young adult author Maggie Stiefvater.


And, if you’re feeling the rejection blues, you’re not alone:

Have a great rest-of-the-weekend!  I’m battling a cold (which is why this post was late).  Boo!!

In the Blogosphere: 8/9-8/13

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to May/June-ish (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?


You know how, when you go to some writers’ conferences, they give you a goodie bag?  Well, here are some links that are better than that!  Yes, they all are from kids’ lit conferences, but the skills are not just for kids’ lit writers.

Here, get soundbites from tons of industry professionals at the recent SCBWI L.A. conference—courtesy of the fabulous Michelle Schusterman of YA Highway.

The more I say "goodie bag," the more I want to giggle. #growup

In this post, over at Adventures in Children’s Publishing, the inimitable Martina Boone presents us with literary agent Elana Roth’s two cents about high concept (from the SCBWI ME/DE/WV conference).

Also, if you *weren’t* one of the thousands who attended this week’s free online writing conference, WriteOnCon, get out from under your rock and click here to check it out.  Most (if not all?) of the posts and vlogs are up there.  Such a fab event!


Here *are* some things specific to YA writers.

This adorable post, by the equally-as-adorable Nathan-Bransford-repped Natalie Whipple teaches you how to Tweet and blog like a YA author.  Yes, I am guilty of all these things.

I’ve posted links on this subject before (mostly by Andrea Brown lit agent Mary Kole), but here is Deborah Halverson—The Editor’s—take on swearing in YA lit.

Also, over at his blogThe Book Deal—editor Alan Rinzler shares tips on writing YA from three Dystel & Goderich Literary Management agents, Stacey Glick, Michael Bourret, and Jim McCarthy.


It’s all about the mission, baby.  The Storyfixer, Larry Brooks, discusses what makes a successful short story.

In this post at See Heather Write, freelancer/editor Heather Trese uses one of my favorite shows (How I Met Your Mother) to discuss character consistency.  Or lack thereof.

Why, yes - I *am* the cheesiest!

And while we’re on the subject of characters, Seth Frederiksen talks about how to make leading characters great at Fuel Your Writing.

As a little precursor to a “Pointers from the Pros” post I will be running soon, here’s The Donald (Donald Maass), over at Writer Unboxed, talking about creating tension.

*In case you missed my D.Maass/RWA10 post earlier this week, here it isPimping out her own blog? Why, yes, she is! (And talking about herself in third person, too—what a freak-a-zoid!)

I don't know what you hearrrrd about me . . . (What ever happened to 50 Cent anyway?)


I heart these fellow Clevelanders and YA authors, Lisa and Laura RoeckerHere, they talk about how writing novels is a little like peeing your pants.

Oh—and this is why I love YA author John Green:

*See what I did there?🙂

In the Blogosphere: 7/26-8/6

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to May/June-ish (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?


There have been a ton of conferences this summer, but more are just around the corner.

Not sure what to bring to a writers’ conference?  Over on her blog, See Heather Write, writer/editor and aspiring YA novelist Heather Trese gives the basics on what to pack and what to leave home—via this vlog.

Have you never been to one of these events?  Check out this post at The Bluestocking Blog, which details one writer’s lessons learned from her very first conference.

This is an oldie-but-very-goodie post from guest blogger Leah Odze Epstein over at Adventures in Children’s Publishing.  Epstein took great notes at SCBWI Metro New York and was nice enough to share them in a conference round-up.

By the way—WriteOnCon, the FREE online kids’ lit conference, is next week.  Click here to register!


So, I’m good on querying and getting and agent and everything—but what happens after that?

Sixteen-year-old Australian YA author Steph Bowe demystifies what happens after you get a book deal in this post on her blog, Hey! Teenager of the Year.

And, here, the ever-fabulous Rachelle Gardner of WordServe Literary explains what is in a publishing contract.


My SW(IRL) group began critiquing this summer, and some of our members were a bit resistant to it.  I do hope they’ll check out these links!

Here, Jodi Cleghorn of Write for Your Life talks critique etiquette.

In her guest post at Genreality, debut YA dystopian author Jamie Harrington gives a feedback pep talk during which she explains what getting feedback means, why it’s important, and how we need to get over ourselves and get some!

Over at her fantastic blog, author Jody Hedlund offers suggestions of what to do with positive and negative feedback.

And at YA Highway, Amanda Hannah gives us a checklist of what we need in order to get cracking on those revisions.


I believe this oldie-but-goodie post was the first I had ever seen of the now-infamous Tahereh (T.H. Mafi), over at Got YA—in which she tells us what the QueryShark herself, Janet Reid, is really thinking.