In the Blogosphere: 1/18-1/22

“In the Blogosphere” is a weekly series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week.  Most posts will be from that week, but if I find some “oldies but goodies,” I’ll throw those up here as well.

I never find as much time to read blogs as I want, but here are a few posts that struck me this week.

RESOURCES

Over at his blog, The Book Deal, editor extraordinaire Alan Rinzler shares some tips on hooking agents and editors.  He also gives examples of good hooks.  This blog is chock-full of all kinds of writing tips and just brimming with awesomeness, so check it out.

Over at WOW! Women on Writing, fellow Writer’s Digest contributor Kerrie Flanagan gives tips on how to pitch an agent.

The Oatmeal has become one of my favorite sites, with its hilarious lists on various subjects.  I mostly love it for its grammar and spelling tips—although, I’m a little biased, as its style is reminiscent of the approach I used when I taught grammar.  This post on spelling had me laughing out loud (ROTFL).  This is my favorite:

I wrote two posts this week, mentioning poetry and screenwriting.  If these areas are foreign to you, the folks over at Writer’s Relief can shed some light on them.  Learn some poetry lingo here, and get some screenwriting resources here.

At Editorial Anonymous, learn a thing or two about deciphering those rejection letters with this tongue-in-cheek post.

As I discussed earlier this week, when I came to the end of last week’s fight to finish my manuscript, I realized my original title no longer worked.  Desperate to be done with the thing and eager to apply the icing on my literary cupcake (what??), I, naturally, turned to the Internet for assistance with titles.  I found some help at Writing-World.com, Writer’s Digest, and eHow.

LIT AGENTS

Blogger sisters Lisa and Laura Roecker give some of Nancy Coffey Literary agent Joanna Stampfel-Volpe‘s tips on synopses.

WordServe Literary‘s Rachelle Gardner offers some advice on perfecting that elevator pitch.

As well, FinePrint Literary‘s Janet Reid details what a writer needs to have ready when looking for an agent for fiction, memoir, and nonfiction with this straightforward list on her blog.

Last but not least, The Last Will of Moira Leahy author Therese Walsh of Writer Unboxed asks her agent, Elisabeth Weed of Weed Literary, about voice—something not easily defined, yet something every agent seeks.

UP FOR DISCUSSION

Over at Fiction City, my writer buddy, Lisa Katzenberger, asks: How Soon Do You Start Critiques?

Here, Robert McCrum of The Observer talks plagiarism and lists some famous examples of authors’ works which have been accused of it.

In this guest post on Rachelle Gardner‘s Rants & Ramblings, editor Chuck Sambuchino asks, “Would you pay more for an agent?” And many weigh in…

CONCERNING A WRITER’S NEUROSES

I shall keep these three posts close by during this query (and, hopefully, submission) process:

Yes, that's "Monk."

OPPORTUNITIES

Like to read?  Like to blog?  Here, Thomas Nelson PublishersMichael Hyatt tells how to get your hands on free books and get your name out there by reviewing them.

Don’t forget to enter my contest here on the blog.  Click here for details on my easy-peasy contest, and see how you can win a brand-new 2010 Guide to Literary Agents!

JUST ‘CAUSE

I’m with COCO.

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You Have a Question? I Have an Answer: Where to Find Script Agents/Managers

“You Have a Question?  I Have an Answer” is a feature that answers real questions from real writers.

Q:  Hi Ricki. Even though I live in LA and am a screenwriter, I need your assistance in approaching agents from CAA, WME, UTA, et al who would be appropriate.  In other words—a few suggestions?  I got the idea to approach you after reading your interview with Dorian Karchmar.  I need an agent and am clueless as far as whom to approach.  Would you know, and could you help?

–Anonymous

A: Thanks for the question!

I’m not as versed in the area of script agents/script managers, as I’ve only interviewed literary agents and authors at this point.  However, I’m very interested in screenwriting—and I will be interviewing some script managers for Writer’s Digest Books’ 2011 Screenwriter’s & Playwright’s Market—so I guess it’s time to dive into that subject!

*Some* literary agencies handle screenplays - but in my experience, most do not. You just have to do the research to find out!

On the GLA blog, where I’m assuming you read my Karchmar interview, Chuck Sambuchino lists “Screenwriting and Script Agents” as one of his categories located on the left of the blog.  If you click on that heading, he has some interviews with script agents as well as a few other informative posts in the area of screenwriting.  Maybe that could be a lead?

As well, in addition to Guide to Literary Agents, Sambuchino also puts out the aforementioned Screenwriter’s and Playwright’s Market, which is a huge database of script agents among other things.  I’ve got the 2009 edition right here, and one major section of it lists agents/script managers.  Many of the listings even show what genres the agents accept, so that should help you find someone tailored to your (awesome!) projects.

If you can get your hands on one of these babies, you'll be able to find exactly what you're looking for.

Good luck to you!